The Purple Zombie was so weird it makes Herbie The Fat Fury look like Mark Trail. In addition to my affection for Mills’ work, I have a serious thing for stories that are insanely weird and bizarre. It is this latter creation that now brings my fingers to the keyboard. But prior to that, she worked for a variety of neophyte comic book publishers, creating such features as Diana Deane / White Goddess (1936), Devil’s Dust, The Cat Man, Daredevil Barry Finn (1939), and The Purple Zombie (1940). Mills is best known as the creator/writer/artist of the costumed newspaper comic strip hero Miss Fury (1941 – 1949), which, for the record, debuted six months before Wonder Woman. Thanks to several decades of following Trina Robbins’ research, I’ve been a Tarpé Mills fan since… well, probably since dinosaurs started making oil. Continue reading “Celebrating Women’s History Month Comic Edition: Part 2 – Writers” → She continues to write and create interesting stories to this day. Kesel is known to be a staunch defender of women’s rights in comics and featured strong and fully formed women characters in her writing. She has gone by her birth name Barbara J. She has also had stories published by Archia, CrossGen, Dark Horse Comics, Image, IDW, and more. She helped create Dawn Granger as the new Dove and wrote the “last Batgirl” story as DC retired Barbara Gordon from the cowl for a long time. She later became a full-time staff editor at DC Comics and then transitioned back to writing.
Her first freelance writing work, a Batgirl backup story, was published when she was twenty-two. Her work is spread across dozens of titles in the 80s and 90s and made an impact.īarbara Kesel has had an interesting career arc in comics. She began her career as an assistant editor for Marvel and often went by Jo Duffy in credits. By the mid-2000s, Duffy had retired from comics writing.
#Trina smarky mark series
In the 1990s she wrote the first fourteen issues of the first ongoing series for DC’s Catwoman. She had a memorable run on the Marvel Star Wars series and wrote the Fallen Angels mini-series spinoff of New Mutants. She wrote Power Man and oversaw the transition of the title to Power-Man and Iron Fist.
She was the only woman working in her office and contributed in important ways to some of the biggest comic characters of her time.Īs a writer for Marvel Comics in the 1980s, Mary Jo Duffy is responsible for some well-known long runs of stories.
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Even her most commonly referred to professional name is gender blind adaptation of her middle name. One of the remarkable aspects of Blum’s career is that she used over a dozen pseudonyms and all of them were either gender obscured or outright masculine. She even ghost-wrote stories of The Spirit for Will Eisner. She wrote scripts for golden age characters Dollman, Black Condor, The Ray, Uncle Sam, and more.
She worked the Eisner-Iger Studio which produced stories for Quality Comics and National Allied Publications. The women listed below in alphabetical order created some amazing stories:īorn Audrey Anthony Blum, Toni Blum, was one of the very few women comic writers in the golden age.
Well, let’s celebrate some amazing writing. Only two of them were women, and they were only in the last three years. There have been fifteen people in the last thirty-two years who have received Eisner Awards for Best Writer. While more women are getting work writing, recognition still has some territory to gain. But that rise is of course relative when you look at how bad it has been. I will say that the last two decades have seen a substantial rise in women writers in comics. It is disappointing to see the paucity of women writers in some of the formative years of comics creating. While some of the women listed in Part 1 of this series were cartoonists in that they both wrote and drew their stories, the list of impactful full-time writers before 1990 is short, and to be truthful, most of these women started their careers as editors. This category has been one of the most difficult to fill. In this post we will highlight a fantastic group of writers that made lasting impacts on the industry. This is the second chapter in our celebration of women in comics history.
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